by sodja lotker & richard gough
‘Everything we do and almost everything comprehend scenic formation - landscape, site and setting - but also a way of constructing the physical, perceptual and emotional environment of/for the event’ (3)
‘There is no such thing as an empty space (as once proposed by Peter Brook (1968)) - every space is an environment, is already resonant; it has its character, a psychology and a memory and, if nothing else, little invisible scars.’ (4) => 여백
‘The space performs even before the actor walks across it. The character of a space is the way that it positions us and spaces our actions’
‘Scenography is the many-layered environment of a performance that creates spatial contexts and activates positioning’ -> looking happens with the whole body
‘Scenographies have power over us they, command our attention and affect our emotion.’
‘Integrate the two spatio-temporal strands into a unified structure’ (5)
playfully and insightfully arrests time through space (on stage) evoking a kairological (as opposed to chronological) sense of time (on stage)
“the expressive organization of space”—a practice of daily life and a fundamental of communication and being human